Wednesday, October 01, 2008
Chess is like Acting
Interview with Viswanathan Anand in Der Spiegel
Published on ChessBase
SPIEGEL: What is the role of emotions?
Anand: They are decisive. The moment in which you realise that you have made a mistake is the most unsettling you can imagine. You have to try to keep control of your emotions. Chess is a form of acting. If your opponent senses your insecurity or your annoyance or your dejection, then you are bolstering his courage. He will take advantage of your weakness. Confidence is very important – even pretending to be confident. If you make a mistake but do not let your opponent see what you are thinking then he may overlook the mistake.
SPIEGEL: Are you good at reading the faces of your opponents?
Anand: Usually their faces are completely calm and dispassionate. The exception was Garry Kasparov, against whom I played a World Championship in New York in 1995. He was an open book. What I tend to do is to listen to their breathing.
SPIEGEL: You listen to your opponent breathing?
Anand: If the breathing is deep or shallow, fast or slow – that reveals a lot about the degree of his agitation. In a match that lasts a month even a clearing of the throat can be quite important. Incidental facts are also important: did your opponent have a fight with his wife? If he is occupied with private matters he may not be as focussed as usual.
Here is the full article on ChessBase
Published on ChessBase
SPIEGEL: What is the role of emotions?
Anand: They are decisive. The moment in which you realise that you have made a mistake is the most unsettling you can imagine. You have to try to keep control of your emotions. Chess is a form of acting. If your opponent senses your insecurity or your annoyance or your dejection, then you are bolstering his courage. He will take advantage of your weakness. Confidence is very important – even pretending to be confident. If you make a mistake but do not let your opponent see what you are thinking then he may overlook the mistake.
SPIEGEL: Are you good at reading the faces of your opponents?
Anand: Usually their faces are completely calm and dispassionate. The exception was Garry Kasparov, against whom I played a World Championship in New York in 1995. He was an open book. What I tend to do is to listen to their breathing.
SPIEGEL: You listen to your opponent breathing?
Anand: If the breathing is deep or shallow, fast or slow – that reveals a lot about the degree of his agitation. In a match that lasts a month even a clearing of the throat can be quite important. Incidental facts are also important: did your opponent have a fight with his wife? If he is occupied with private matters he may not be as focussed as usual.
Here is the full article on ChessBase
# posted by Chien Ming @ 7:21 PM
Making Mistakes in Chess
# posted by Chien Ming @ 7:19 PM
